Reefer Movie Madness: The Ultimate Stoner Film Guide, by Steve Bloom and Shirley Halperin (2010, Abrams Image Press, 336 pp., $18.95 PB)
Reefer Movie Madness is much more than a mere guilty pleasure. Penned by former High Times editor and Celebstoner proprietor Steve Bloom and former High Times intern turned entertainment writer Shirley Halperin, Reefer Movie Madness is not only a most excellent guide to stoner filmdom, it also maps the cultural acceptance of marijuana in America through film history.
A follow-up to the pair’s well-done, comprehensive compendium of all things cannabinical, Pot Culture, Reefer Movie Madness profiles more than 700 films that are about marijuana, feature marijuana in key scenes, feature other drugs, or just plain a gas to watch stoned. The films are ranked via a five-star rating system, and the authors demonstrate exquisite taste and filmic knowledge in their rankings (meaning that their tastes agreed with mine).
They begin at the beginning, going back even before 1936′s anti-pot propaganda classic Reefer Madness to note such obscure films as 1924′s High on the Range, in which Cowboy Dave smokes a reefer, and 1933′s International House, in which jazz legend Cab Calloway performs “Reefer Man.”
But in the late 1930s, as Harry Anslinger crusaded against the demon weed, so did Hollywood. In addition to Reefer Madness, the movie industry cranked out propaganda like Marijuana: The Weed with Roots in Hell (1936), Assassin of Youth (1937), and just a handful of years later, Devil’s Harvest (1942). While such films helped shape American attitudes at the time, and for decades to come, they are now the stuff of nonstop laugh fests.
While marijuana and other drug use was portrayed intermittently, and occasionally, even with some sympathy for drug users, it wasn’t until the cultural revolution of the 1960s, bringing us classic stoner films like Wild in the Streets (1968) and Easy Rider (1969), that pot-smoking began to be widely portrayed as anything but deviant. And it wasn’t until the late 1970s that Cheech and Chong’s Up in Smoke gave birth to the now ubiquitous stoner comedy genre (although Bloom and Halperin give the classic Animal House, with its single hilarious pot-smoking scene partial credit for establishing the genre, too).
By now, stoner movies and depictions of pot-smoking are everywhere, most notably, but not only, in the stoner comedy genre. Films like Half-Baked, How High, Friday, and Strange Wilderness are now being produced by mainstream production companies, and the Judd Apatow franchise alone has been responsible for numerous box office hit stoner flicks, including The 40-Year-Old Virgin, the underrated Walk Hard: The Dewey Cox Story, Knocked Up, Forgetting Sarah Marshall, Superbad, and Pineapple Express.
The book is divided into sections by genre: comedy, drama, sci-fi/fantasy/horror, action, sports, music, documentaries and offers spot-on capsule reviews of more than 700 films, complete with plot summaries, star rankings, and choice quotes. Reefer Movie Madness also includes themed lists (Best Buds: Ten stony duos that take friendship to a higher level; Stoner Inventions and Innovations), celebrity Q&As, and lists of favorite stoner movies from well-known actors, directors, and musicians, including Cheech & Chong, the Trailer Park Boys, Snoop Dog, and Melissa Etheridge, among many more.
But beyond that, Reefer Movie Madness is a valuable and important contribution to charting and understanding the pop cultural role of marijuana in the past few decades. And it’s a gas to read, stoned or not.
Reefer Movie Madness is a bookshelf must for pot movie fans, whether they be culture mavens or fully-baked couch potatoes. Even for veteran stoner film watchers, it contains some delicious movies you’ve never seen before and helps you remember long-forgotten gems. It has already vastly increased the length of my Netflix queue, and once you pick it up, the same thing is going to happen to you.